please please someone...

A read-only and searchable archive of posts made to the BGAFD forum from 11/08/2000 to 14/03/2003.
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crofter

please please someone...

Post by crofter »

after a couple of days of the dick nasty, felicity, max hardcore, rough sex sessions, could somebody post something a bit more lighthearted or some good info ... please

although I will just add my thoughts ...

why was felicity shown in such pathetic movies, I mean ROUGH SEX, is basically banned everywhere in the states, and if you can get it, it is at a premium $100.00 roughly, MAX HARDCORE this bastard is just a total pervert, anybody who enjoys his films is seriously sad.

was DICK NASTY working with the reporter, to try and shock people, I mean she could have appeared in a hundred films where she actually might have enjoyed it, now that was not the film maker?s agenda was it.

the difference with actors and porn actors is in porn it is real, it is not make believe!!
Big Jim

Re: please please someone...

Post by Big Jim »

What the model, documentary crew and everyone else in the programme didn't tell you is that she most probably travelled to America on a tourist visa only.

The bigger U.S. companies such as Penthouse, Vivid, etc. wouldn't have touched her with a barge pole if she didn't have her work papers in order. There are severe fines for the hire of illegal immigrants in the States - how the gonzo people get away with it, I don't know.

As Felicity and a number of Brit girls like her cannot get a working visa, they are at the mercy of the people that will hire them. I have heard many stories of girls going over and being used as 'fuck meat' by just about everyone.

Of course they have no one to complain to - if the US government finds out they are working illegally then the girls would have been immediately deported and barred from re-entering the country for 5 years.

Obviously, Brit girls who do get their papers sorted out have usually done quite well - Nici Sterling, Roxanne Hall, what have you. Probably because they were able to select agents, productions, etc. without fear of reprisal / deportation.
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