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jp has been ranting about classy lingerie,and good looking women,and how brit.porn is a pile of dog do-do.why does he think all actresses have to be done up to the nines?does'nt he know that when u.s and euro actresses go home that all that muck on their faces comes off, and they look terrible?does'nt he realise that there was'nt really a brit .porn industry until the early nineties?
personally,i am sick to death of made up,glossy-faced 'porn stars',who are only acting'.yelping and screaming to make there performance more believable.where there is no real spontneity or arousal. i think jp lives in a fantasy world where every thing is perfect and superfical, and porn is perfect and fake.....BORING!!!
i love british porn...I LOVE BRITISH PORN!!!real women getting turned on and enjoying a good shag,(AND NO........FAYE RAMPTON DOES NOT NEED A BOOB JOB!!!).i'm not saying that crap porn is'nt being produced over here because it is,but crap porn is prduced the whole world over.and some of it is even worse than ours.think about it jp!!!

P.S "if it looks like shit,and it smells like shit.then it must be shit!"-boogie nights.

Have to say, when I shoot for Lipstick we do try and make it look like its real life sex, by trying to see the cum/cream of the girl as well as the guy ! Is this what people want ....who knows...just the angle at Lipstick..and mine!

To be onnist I love it when the girls enjoy it for real, and not fakeing it. Well...I'd rather they faked than say " Chuck YA shit Ya Ginga Git! " but...hay ...thats life!

Chuck Star

"P.S "if it looks like shit,and it smells like shit.then it must be shit!"-boogie nights."

It seems ironic that the bon mot you have chosen is one where Jack Horner (Burt Reynolds) is railing against the coming tide of videotape, amateurs and gonzo, since this is what makes up almost all of the Brit material you profess to admire.

In the movie (Boogie Nights) Jack Horner swears he will never prostitute himself simply for the money by using cheapo videotape and naff amateurs - he is a film director, an artist. But of course financial commitment means that he ends up doing just that. It all comes to a head in an orgy of self loathing and extreme violence when Jack and Roller Girl (Heather Graham) are out one night making a BD style street pick up and shag movie. They pick up a guy who turns out to be one of Roller Girl's old classmates at High School - she is mortified, but, summoning her reserves of professionalism, she puts that to one side and continues with the shoot. Inevitably, the shoot turns sour, as the guy kinda just assumes that if Roller Girl is doing this she must just be a cheap, worthless, no good slag, and, during their video fuck, he treats her accordingly. This is the last straw for Jack and he unceremoniously ejects the dude from their limo. The dude retorts with a load of abuse, criticising Jack?s low-rent videotape movies and Roller Girl's morals and value as a woman. Now, all the disgust, self loathing and anguish that Jack has been feeling as an artist reduced to making these cheap artless movies wells up to the surface and he lays into the lippy dude with fists flying. Meanwhile, Roller Girl has hit the buffers. They had all been a happy family of filmmakers, artists, libertarians and creatives - though now being left floundering on the beach as the tide of the counter culture receded. It might have been porn, but in those early days it was also art. They mattered, their contribution mattered, and they were respected as artists. Now, that comforting blanket of respect and value had been rudely ripped from the group as a whole, and Roller girl in particular. The classmate dude had made her feel useless, worthless, a seedy scrubber, she was nothing, going nowhere, a high school dropout. The realisation and it?s accompanying anguish hits her like a ton of bricks. She breaks down, hysterical. All this happens in a flash and while Roller Girl is confronting her demons Jack has got the young dude on the ground and is administering ?a slap?. The limo driver and cameraman drag Jack away, but as they do Roller Girl regains some composure, skates the 3 or 4 yards over to where the prone geezer is lying and stamps on his face with her roller blades, and, still hysterical, screams out that he must never, ever, disrespect her again.

It?s probably the most powerful and disturbing scene in the whole film and it is there to illustrate the tension, angst, and upheaval in the porn scene when people who made movies were supplanted by people who simply pointed cameras at other people fucking.



Officer Dibble ? The Barry Norman of Porn

Rather an astute observation, OD, and showing a sensitivity normally hidden beneath the geezer facade.

Why thank you Carac. Yes, it's true. OD is far more complex and multi-dimensional this his rantings might immediately suggest.



Officer Dibble

If you want to look at

Girls with ugly looks first off

Girls covered in tatoos

Girls covered in piercings

Girls with no class

Girls who don't have classy lingerie

Girls who don't have more than 10 words of vocabulary

Then carry on, each to your own.

JP